Chanel Has Designed Costumes For a Musical About the End of the World
The French fashion house supported Joshua Oppenheier's dystopian movie "The End," starring longtime Chanel brand ambassador ...
With ‘The End,’ Joshua Oppenheimer and Michael Shannon Wanted to Prove ‘Unraveling Lies’ Is a Lot Easier When You’re Singing
Joshua Oppenheimer and Michael Shannon talk what makes 'The End' sing, acknowledging an apocalyptic musical as a strange ...
Review: It’s ‘The End’ but deep underground, a sheltered family keeps on singing in denial
Director Joshua Oppenheimer, previously a documentarian who has chronicled dark acts of self-delusion, shifts to a ...
He had a vision for the end of the world. Of course, it had to be a musical
Deep in a bunker, a family keeps on singing in the year's most nightmarish piece of future shock. Director Joshua Oppenheimer ...
‘The End' Is About Mankind Facing Certain Doom. Its Director Hopes It Inspires You
Joshua Oppenheimer says his tale of a wealthy family living out the apocalypse in an underground bunker is a both a ...
Joshua Oppenheimer's ‘The End' Is the Only 2024 Movie Musical That Matters - In Review
The following article is an excerpt from the new edition of "In Review by David Ehrlich," a biweekly newsletter in which our ...
Joshua Oppenheimer's apocalyptic musical with Tilda Swinton is about the last family left on Earth
The Oscar-nominated filmmaker stopped by Here & Queer to talk with Peter Knegt about his audacious take on the end of the ...
‘The End’ Review: It’s All Come to This
Joshua Oppenheimer’s postapocalyptic musical about a wealthy family in an underground bunker is placidly disturbing.
Washington City Paper1d
A Postapocalyptic Musical That Believes in Humanity
In The End, Joshua Oppenheimer continues unearthing ideas of self-deception and cognitive dissonance he first explored in The Act of Killing.
IndieWire5d
With ‘The End,’ Joshua Oppenheimer and Michael Shannon Wanted to Prove ‘Unraveling Lies’ Is a Lot Easier When You’re Singing
Moving from documentary to the narrative format, Oppenheimer's urge to make a musical about the end of the world was rooted in his observational sensibilities. To hear Oppenheimer tell it ...