“He'll probably need some knee cream. Probably need some aspirin,” Chasez, 48, joked with hosts Keltie Knight, Becca Tobin ...
The Billboard Hot 100 is widely considered to be the definitive all-genre chart for songs in the US. Although it offers only one way to measure popularity, earning Billboard's highest rank is a ...
As you will see in the below list of the Top 50 New Wave Songs, chosen by the UCR staff, many of these tracks would fit comfortably within other playlists from the era, not just punk, but also ...
That’s just what we’ve done. The rules here are pretty straightforward: to qualify for the list, the song had to have reached the top 10 on the Billboard Hot 100. Hundreds of songs ...
My heart, my hips, my body, my love! Travis Kelce shared which song in girlfriend Taylor Swift’s music catalog he “learned to absolutely love” — and it’s not a permanent fixture of her ...
What a difference a change of pace can make … Hanging onto his love of Latin percussion and cool hot brass, Jones — who not only produced the song but signed 16-year-old Gore to Mercury ...
The hit solely claims the longest rule ever for a song with no accompanying acts. By Gary Trust Shaboozey’s “A Bar Song (Tipsy)” holds at No. 1 for a 17th total week atop the Billboard Hot 100.
THE WEEK’S MOST POPULAR SONGS RANKED BY ALL-FORMAT RADIO AIRPLAY AUDIENCE IMPRESSIONS, AS MEASURED BY MEDIABASE AND PROVIDED BY LUMINATE. Shaboozey Last week Weeks at no. 1 Weeks on chart C.O ...
Their final song, called “Now and Then,” was restored last year with the help of AI, and is now up for record of the year alongside the likes of Beyoncé, Charlie XCX, Billie Eilish ...
South Korean actor Song Jae-lim, a former model who rose to prominence in K-dramas, was found dead in Seoul on Tuesday. He was 39. Song’s body was found in his apartment by a friend, who had ...
Among them was “It’s My Party,” which Jones and the song’s arranger, Claus Ogerman, spiced up with some Latin-style percussion, staccato horn hits and double-tracked vocals. The day after ...
But nobody made the song jump like Jones did — one reason Ol’ Blue Eyes kept working with him for the next two decades (including on Sinatra’s final solo studio album, 1984’s wonderfully ...