The triad is one of the cornerstones of music theory, and vital for creating harmony. We examine the three points of the ...

At his musical core, John Lennon had a wonderful way with chords. In this lesson we’re going to look at four, with rhythm ideas from The Beatles that will give your own playing an instant John Lennon ...

Credit: Keystone/ More than 50 years since their breakup, the guitars used by the Beatles on their recordings have been ...

Using Eleanor Rigby by the Beatles and She's Always a Woman by Billy Joel, we walk through the steps to deciphering the ...

You’ve reached your account maximum for followed topics. Beatlemania is almost here again. After the massive success of Peter Jackson's expansive documentary The Beatles: Get Back, Disney+ is ...

The Beatles have been nominated for two Grammy ... or a specific kind of guitar in a studio — and learn to isolate those sounds from the rest of a recording. Can fellow nominees like Billie ...

By Kristin Robinson Senior Writer “Now and Then” by the Beatles has been nominated for Record of the Year and Best Rock Performance at the 2025 Grammy Awards — marking the first time a song ...

wondering if Harrison will finally speak up before falling back down to Earth with the guitar lick. Then again, Harrison’s use of this chord is why The Beatles worked so well when it came to finding ...

‘Yeah, I know you do, Quince.’” The Beatles weren’t the only superstars Jones took aim at. In the same interview, the legendary producer called Jackson, with whom he worked on albums Off ...

Lava Music was founded in 2013, and launched its first guitar in 2015 but the first unibody ... and the fingerboard is divided into zones for chords that can be extended up or down if songs ...

Glenn Fosbraey does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

In 2018, Jones recalled his first impressions of the Fab Four in the now infamous interview, in which he described rock music as “nothing but a white version of rhythm and blues”, as well as ...