MoMA Highlights: 375 Works from The Museum of Modern Art Introduction by Glenn D. Lowry, 2019 Flexibound, 408 pages MoMA Now: Highlights from The Museum of Modern Art—Ninetieth Anniversary Edition ...

Meal machine, experimental laboratory, status symbol, domestic prison, or the creative and spiritual heart of the home? Over the course of the past century no other room has been the focus of such ...

MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...

Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...

MARINA ABRAMOVIĆ: Rhythm 5 was about ritualization of the Communist five point star burning my hair, burning my nails. I had almost a serious accident because the fire took all the air, and when I was ...

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The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

GLENN LOWRY: To explore the concept of deriving energy from her audience, Abramović and her partner, Ulay, performed Relation in Time. MARINA ABRAMOVIĆ: We wanted to start this piece without public.

Leah Dickerman: These "White Paintings" may not be prepossessing, but they're among the most radical statements about painting made in the middle of the 20th century. They are blank canvases stretched ...

MARINA ABRAMOVIĆ: When we was Australian desert and living with the Aborigines, we was looking to this report of astronauts who said that only construction who can be seen from moon, human-made, is ...

Curator, Deborah Wye: This work is titled Femme Maison. And that meant to Louise Bourgeois either “woman house” or “house woman” in French. She was a native of France and always went back and forth ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...